Each album tackles a different set of influences and styles. Grimes’ album, Visions, incorporates influences as wide as Enya, TLC and Aphex Twin, drawing from genres like New Jack Swing, IDM, New Age, K-pop, Industrial and glitch. This approach has marked Grimes as a curator of culture, and allowed the project to remain flexible and evolving.
A phantasmic state for the deep listener, sourcing the long forgotten spells running alongside humans for centuries and forcing them through a hyper-futuristic filter. Compositional and vocal delivery are coloured with an emotional trauma. Despite a generally upbeat demeanour, an urgency permeates the music. Calling us between our history and the future it uses the pleasure of minimal rhythms and dance to entice, but beyond its rich, software-sculpted cohesiveness, and vocal energy, runs a very real and odd world.
She describes her work as “the only means through which I can be fully expressive. It is both an ethereal escape from, and a violent embrace of my experience. The creative process is a quest for the ultimate sensual, mystical and cathartic experience and the vehicle for my psychic purging. Visions was conceived in a period of self-imposed cloistering during which time I did not see day-light. ”
|1.||Infinite ♡ Without Fulfillment (intro)||1:36|
|6.||Vowels = space and time||4:21|
|8||Be A Body (侘寂)||4:20|
|9.||Colour of Moonlight (Antiochus) (ft. Doldrums)||4:00|
|10.||Symphonia IX (my wait is u)||4:53|
|11.||Nightmusic (ft. Majical Cloudz)||5:03|
|13.||know the way (outro)||1:45|
|A4.||Life After Death (Canadian Vinyl Exclusive)||2:48|
|A5.||Nightmusic (feat. Majical Cloudz)||5:03|
|B1.||Ambrosia (Canadian Vinyl Exclusive)||3:31|
|B2.||Symphonia IX (my wait is u)||5:53|